+copy.jpg)
I would love an invitation to this home!
A 'Messiah' performance of, by and for musicians - latimes.com
Thursday, December 30, 2010
Wednesday, December 29, 2010
Carol Wincenc: Master Class and Performance: February 2011
The Bob Cole Conservatory of Music at California State University, Long Beach presents Carol Wincenc - master classes and performance February 11-13, 2011.
Here's the schedule and more information:
California State University, Long Beach
Bob Cole Conservatory of Music
1250 Bellflower Blvd.
Long Beach, CA 90840
Master classes:
Friday, February 11, 6:00 p.m. - 9:00 p.m.
Saturday, February 12, 9:00 a.m. - 12:00 p.m. / 1:30 p.m. - 4:15 p.m.
University Music Center A-301
Artist performance:
Sunday, February 13, 8:00 p.m.
Daniel Recital Hall A-100
Tickets are $10/$7
Arts ticket office: (562) 985-7000
www.csulb.edu/coleconservatory
Performers:
Carol Wincenc, flute
Wendy Caldwell, piano
John Barcellona, flute
If you're interested in performing at one of the master classes, send your resume to:
Dr. John Barcellona
Bob Cole Conservatory of Music
1250 Bellflower Blvd.
Long Beach, CA 90840
The cost to perform is $100, however, do not send a check until you've been confirmed to perform.
To audit the master classes, send $25 to the above address in advance, or you can pay at the door. Make checks payable to CSULB Woodwind Chamber Music.
For further information contact John Barcellona at (562) 985-4739.
Here's the schedule and more information:
California State University, Long Beach
Bob Cole Conservatory of Music
1250 Bellflower Blvd.
Long Beach, CA 90840
Master classes:
Friday, February 11, 6:00 p.m. - 9:00 p.m.
Saturday, February 12, 9:00 a.m. - 12:00 p.m. / 1:30 p.m. - 4:15 p.m.
University Music Center A-301
Artist performance:
Sunday, February 13, 8:00 p.m.
Daniel Recital Hall A-100
Tickets are $10/$7
Arts ticket office: (562) 985-7000
www.csulb.edu/coleconservatory
Performers:
Carol Wincenc, flute
Wendy Caldwell, piano
John Barcellona, flute
If you're interested in performing at one of the master classes, send your resume to:
Dr. John Barcellona
Bob Cole Conservatory of Music
1250 Bellflower Blvd.
Long Beach, CA 90840
The cost to perform is $100, however, do not send a check until you've been confirmed to perform.
To audit the master classes, send $25 to the above address in advance, or you can pay at the door. Make checks payable to CSULB Woodwind Chamber Music.
For further information contact John Barcellona at (562) 985-4739.
Great Steve Lopez story in the LA Times
In case you missed it, Steve Lopez wrote a short but sweet story about Gary Chen and the music shop in Hollywood, Stein on Vine.
Click on the title of today's post to read.
I've only been there once, but it was a cool little visit to a cool place.
Click on the title of today's post to read.
I've only been there once, but it was a cool little visit to a cool place.
Thursday, December 16, 2010
Winter Session for Flute Choir
Hi, everyone,
The winter session for flute choir begins on Thursday, January 13!
PLEASE REGISTER AS SOON AS POSSIBLE: as you know, we need to meet a certain level of registered students BEFORE THE FIRST CLASS, otherwise we will be threatened with cancellation, which is a big hassle.
Monday through Thursday, 8:30 a.m. - 4:30 p.m.; 6 p.m. - 7 p.m.
Friday: 8:30 a.m. - 4 p.m.
Please call before making a trip down there as their winter break is probably coming up soon. Even if you can't register in person, you can do it online, anytime!
Happy holidays, and looking forward to seeing and hearing you in 2011!
- Irene
The winter session for flute choir begins on Thursday, January 13!
PLEASE REGISTER AS SOON AS POSSIBLE: as you know, we need to meet a certain level of registered students BEFORE THE FIRST CLASS, otherwise we will be threatened with cancellation, which is a big hassle.
- 10 Thursdays, 7 p.m. - 9:30 p.m.
- $115 (yes, the price has gone up, but still a bargain: $11.50 a week for 2.5 hours of playing and instruction)
- January 13-March 24
- No class March 3
- We meet at Culver City Middle School, Room 1
- In person: 4909 Overland Avenue, Culver City, CA 90230
- By telephone: (310) 842-4300
- Online: www.ccusd.org/adultschool
Monday through Thursday, 8:30 a.m. - 4:30 p.m.; 6 p.m. - 7 p.m.
Friday: 8:30 a.m. - 4 p.m.
Please call before making a trip down there as their winter break is probably coming up soon. Even if you can't register in person, you can do it online, anytime!
Happy holidays, and looking forward to seeing and hearing you in 2011!
- Irene
Wednesday, November 24, 2010
Holiday Concert 2010!
Hello, friends,
We hope you can join us in celebrating the holidays this year!
When: Thursday, December 9, 2010, at 8:00 p.m.
Refreshments served after the concert.
Where: Farragut Elementary School
(Cafeteria/Auditorium)
10820 Farragut Drive
Culver City, CA 90230
We look forward to seeing you!
We hope you can join us in celebrating the holidays this year!
When: Thursday, December 9, 2010, at 8:00 p.m.
Refreshments served after the concert.
Where: Farragut Elementary School
(Cafeteria/Auditorium)
10820 Farragut Drive
Culver City, CA 90230
We look forward to seeing you!
Wednesday, November 17, 2010
A day in the life of Gustavo Dudamel
(Information from Facebook)
Euronews profiles a day in the life of Gustavo Dudamel, from a morning with the Youth Orchestra of LA to conducting the LA Phil at Walt Disney concert hall at night.
http://www.euronews.net/2010/11/04/gustavo-dudamel-the-little-big-man/
Euronews profiles a day in the life of Gustavo Dudamel, from a morning with the Youth Orchestra of LA to conducting the LA Phil at Walt Disney concert hall at night.
http://www.euronews.net/2010/11/04/gustavo-dudamel-the-little-big-man/
Tuesday, November 9, 2010
LA Phil Live!
The Los Angeles Philharmonic will be presenting three live theater events in 2011! You can buy a ticket at a movie theater near you and experience the orchestra from the comfort of your own zip code.
For more details (dates, program notes, etc), visit http://www.laphil.com/laphillive/. My only issue so far with this is that I didn't see anywhere how much the tickets will cost. This seems like information that would be important to have.
One of Patty's piano students mentioned to me awhile back that the LA Opera also does this too, and you can get more information about their programs, here.
There's also a story today in the New York Times about how orchestras and opera companies are doing this (and you thought you could only watch UFC fights at the movie theater!) and the possible effects it will have on performances. It's pretty interesting so check it out, here.
For more details (dates, program notes, etc), visit http://www.laphil.com/laphillive/. My only issue so far with this is that I didn't see anywhere how much the tickets will cost. This seems like information that would be important to have.
One of Patty's piano students mentioned to me awhile back that the LA Opera also does this too, and you can get more information about their programs, here.
There's also a story today in the New York Times about how orchestras and opera companies are doing this (and you thought you could only watch UFC fights at the movie theater!) and the possible effects it will have on performances. It's pretty interesting so check it out, here.
Friday, October 8, 2010
Los Angeles Philharmonic - Gala Concert
Did you miss last night's gala concert at Walt Disney Hall last night?
I caught some of it on the radio, but here's the whole concert, thanks to NPR.
Enjoy!
I caught some of it on the radio, but here's the whole concert, thanks to NPR.
Enjoy!
Monday, October 4, 2010
Flute God: David Buck
In the last week or so I've had two opportunities to hear David Buck, the new principal flutist for the Los Angeles Philharmonic play (I attended a free concert in Cerritos last Wednesday, and another free concert at Walt Disney Hall - oriented toward children but I enjoyed it too, on Saturday). The LA Phil website doesn't have a link to Mr. Buck's bio yet, but here's something I found on an Oregon newspaper from 2006 when he was appointed as principal flutist of the Oregon Symphony.
Mr. Buck studied with Robert Langevin (principal flutist for the New York Philharmonic), who I also had the opportunity to hear recently. Another amazing player. I'm feeling inspired. I need some more flute playing!
THE FLUTE GOD: Although principal flutist David Buck is only 24 years old, he has indeed been described as a "flute god" by those who heard him during the auditions. Buck has only to give his final recital to graduate from Juilliard, and he figures he'll do that next spring. "I've played in orchestras for Carlos twice," remarks Buck, "once when he came to Juilliard and another time with the New World Symphony. I like his energy and the excitement he brings to music. It was a lot of fun." And speaking of fun, Buck says: "I'm in a film coming out this fall with Robert De Niro called The Good Shepherd. You can find me playing flute dressed in drag alongside Matt Damon."Also, here's his bio from the Oregon Symphony's website:
David Buck was appointed principal flute of the Oregon Symphony in 2005 by music director Carlos Kalmar. The Oregonian has praised him for his “supple tone, rhythmic dynamism, and technical agility.” David is a recent graduate of The Juilliard School, where he earned a Bachelor of Music and a Graduate Diploma. He took a hiatus from his studies at Juilliard after his sophomore year to serve as Associate Principal flutist with the Honolulu Symphony. He has also had the opportunity to appear as a guest principal with the Baltimore Symphony Orchestra.And here's an article with a little bit of him talking about auditioning for Gustavo Dudamel.
An avid chamber musician, David has been a member of the New Juilliard Ensemble, the Axiom Ensemble, and the Julliard Woodwind Quintet. He has participated in several summer festivals, including Tanglewood Music Center, Spoleto Festival del Due Monde, Kent/Blossom Music Festival, and the Pacific Music Festival. A native of Philadelphia, David’s primary teachers have been New York Philharmonic principal flutist Robert Langevin, and Jeffrey Khaner and David Cramer of the Philadelphia Orchestra.
In his spare time David enjoys reading and drinking coffee.
Mr. Buck studied with Robert Langevin (principal flutist for the New York Philharmonic), who I also had the opportunity to hear recently. Another amazing player. I'm feeling inspired. I need some more flute playing!
Thursday, September 30, 2010
Los Angeles Philharmonic - Free Neighborhood Concert
Last night, Patrick and I went to a free concert by the Los Angeles Philharmonic at the Cerritos Center for the Performing Arts. I'm not sure how well-advertised these concerts are - I found out about this one from KPCC, which we listen to in the mornings, yesterday. Not even one day's notice seems either like they know that once word gets out they'll be guaranteed to have an audience (the LA Phil for FREE is an awesome draw, no?), or... they have crappy planning skills over there at the LA Philharmonic Association.
I'm going to assume it's not that one, though, because this concert was extremely well-attended, and rightfully so. We had a really nice time.
So the way this concert worked, by the time I heard about it, was that you could go to the Cerritos Center's box office starting at 6 p.m. last night to get "stand-by" tickets. I left work a half hour early because the 5 freeway south from East LA more times than not is a parking lot at 5:30 (my usual time to leave). I got off the 91 freeway at around 5:55, and following my Google Map instructions, went... in a giant circle. The shopping area where the performing arts center is never fails to confuse the heck out of me: it's a maze, and I almost always get lost. From the direction I came, too, I missed out on the big white signs that say "Box Office" (Patrick didn't, and thus had an easier time). Eventually I found it, though, and there were about 5 people already in what I thought was the stand-by line.
I went to the box office, however, and found out that there were still tickets available. I got my tickets, got in line, and waited for Patrick. He made it there from Downey much faster than I did from East LA (he's a speed demon) and eventually they let us in. (I'm not sure about the stand-by line, which did eventually make an appearance. I don't know if they got in or not.)
The rush for seats wasn't as bad as I thought it might be (we all had General Admission tickets), and while it might've been cool to have taken one of the boxes (the place has a million boxes!) instead we headed down to about the 8th or 9th row, just right of center. I didn't realize that the flute section would be pretty much right in front of me (the stage seemed awfully cramped; no way of knowing how the musicians felt about it, but I liked it - the orchestra looked like a giant black and white single entity at times; they put on a very spirited concert with lots of movement), so the conductor was blocking them most of the time, but that conductor (Manuel Lopez, a student, or former student?, of Gustavo Dudamel), was really fun to watch, so I didn't feel like I was missing out on anything.
So. 26-year old Manuel Lopez! I don't really know anything educated about conductors, so my comments (all my comments, not just about him) are just my own silly opinion. But that guy was thrilling to watch, and I bet, to play for. He seemed to me to be tall - at least, he has long, thin legs (and wore a beautifully tailored suit, very fashionable) and a huge head of hair - he looked great. His crisp white French cuffs were flying all over the place, his hands were big and lovely, and his body language was perfectly understandable and exciting. He didn't overdo it either, but he seemed very involved in the music.
Ah! The music! They performed four pieces: Huapango, by Jose Pablo Moncayo; Overture to La gazza ladra (The Thieving Magpie) and Overture to Semiranide, by Gioachino Rossini; and Symphony No. 7 in A major, by Beethoven.
I'd never heard Huapango, and according to the program notes (I think it would be a copyright violation to include them here but you can visit the LA Phil's website and I think they're there), the piece incorporates three traditional songs from Veracruz. It was very cool, and had lots of percussion and horns. We really enjoyed it.
The two Rossini pieces were equally exciting. I don't know what it is, exactly, about Rossini that I like. Maybe it's that the music is sometimes sort of cornball - so dramatic and visual; I always get a picture in my head. Maybe it's that it reminds me of Bugs Bunny and like everyone I'm just a ten year old at heart. Maybe it seems like Rossini had a sense of humor. I love the double-time fast parts and huge crescendos and the way everything fits together like a big moving piece of machinery. I don't know. But I really liked both pieces. The first one starts with these snare drum rolls, and what drummer and wife of a drummer wouldn't love that?
Watching the orchestra in that setting was really special, too. I've been to Disney Hall and the Hollywood Bowl and the Pantages and Dorothy Chandler, and I've had some great seats (and bad seats), but I've never felt like I could see the orchestra quite so well as at the Cerritos Center. They were right there, and seriously, last night they were rocking out. They really looked like they were having fun, and it was fun for me to catch some of their actions close up (I like the way the concertmaster almost stands up out of his seat sometimes while he's playing, or the way the bearded gentleman sitting behind him in the violin section taps both feet occasionally, or the way the guy sitting behind him would look at his stand partner every once in awhile). The cellos were pretty much squeezed into the first row, and I had serious fears that they were going to hit one another with their bows, but seeing all of them so close like that, with the varying colors of their instruments (all the different shades of honey) was great. And of course hearing them - there were some amazing little solos here and there - Sarah Jackson's piccolo is so beautiful and mellow. The horns were dead on and gorgeous. The percussion section was impressive.
I also like how they would light the concertmaster every time he stood up to tune the orchestra. That little detail reminded me of some of our light cues at City Garage, and I thought it was perfect.
Maybe it's because the floor seats at the Cerritos Center are on a slight incline, so I could see over the heads of the people in front of me, or maybe because we were very close, or it's a small place, or I don't know. I'm not sure how old the Cerritos Center is, but the decor is looking a little aged (Patrick compared it to a Hampton Inn), and I don't know anything about the acoustic properties, but with the lights out and the concert in progress, it was a very nice place to hear a big orchestra like that.
But then came the Beethoven, and it was the only thing I did not enjoy.
Most likely my lack of appreciation for Beethoven is a personal failing of my own and not Beethoven's, or maybe it was just this piece (the Allegretto was great, but everything else? B is for Boring) but I suddenly found myself getting very tired. The music just didn't capture me. I stopped paying attention, and started getting annoyed at little things unrelated to the performance (someone's hearing aid was beeping: I'm sure it had happened before but it didn't bother me until the third movement of the Beethoven; someone near us was tapping their foot so vigorously that the entire row could feel it). But this could just be me (though Patrick felt the concert lost something at the end too), because the crowd around us as we left were all raving and one lady in particular was in LOVE with the Beethoven, so what do I know?
Anyway, it was a fun night, fun to get out on a Wednesday and hear some amazing musicians - FOR FREE. If I hear about any more free concerts I will let you know.
On Saturday I'm taking my friend Sarah to Walt Disney Hall for another free concert, but this one (I just found out) isn't exactly a concert - I think there will be some discussion, too. Hopefully more playing. And Mr. Lopez will be conducting again, and I'm looking forward to that. Anyway, I have no idea if tickets are still available; at this point, if you're interested, you should contact them directly.
On Sunday there's another free concert at MacArthur park but the LA Phil website doesn't indicate how to get these tickets. I'd call if I were you, it's what I did yesterday to find out about the concert at the Cerritos Center. I spoke to Jackie, and she was extremely helpful, but I'm sure whoever you get will be helpful too.
General Information: (323) 850-2000
I'm going to assume it's not that one, though, because this concert was extremely well-attended, and rightfully so. We had a really nice time.
So the way this concert worked, by the time I heard about it, was that you could go to the Cerritos Center's box office starting at 6 p.m. last night to get "stand-by" tickets. I left work a half hour early because the 5 freeway south from East LA more times than not is a parking lot at 5:30 (my usual time to leave). I got off the 91 freeway at around 5:55, and following my Google Map instructions, went... in a giant circle. The shopping area where the performing arts center is never fails to confuse the heck out of me: it's a maze, and I almost always get lost. From the direction I came, too, I missed out on the big white signs that say "Box Office" (Patrick didn't, and thus had an easier time). Eventually I found it, though, and there were about 5 people already in what I thought was the stand-by line.
I went to the box office, however, and found out that there were still tickets available. I got my tickets, got in line, and waited for Patrick. He made it there from Downey much faster than I did from East LA (he's a speed demon) and eventually they let us in. (I'm not sure about the stand-by line, which did eventually make an appearance. I don't know if they got in or not.)
The rush for seats wasn't as bad as I thought it might be (we all had General Admission tickets), and while it might've been cool to have taken one of the boxes (the place has a million boxes!) instead we headed down to about the 8th or 9th row, just right of center. I didn't realize that the flute section would be pretty much right in front of me (the stage seemed awfully cramped; no way of knowing how the musicians felt about it, but I liked it - the orchestra looked like a giant black and white single entity at times; they put on a very spirited concert with lots of movement), so the conductor was blocking them most of the time, but that conductor (Manuel Lopez, a student, or former student?, of Gustavo Dudamel), was really fun to watch, so I didn't feel like I was missing out on anything.
So. 26-year old Manuel Lopez! I don't really know anything educated about conductors, so my comments (all my comments, not just about him) are just my own silly opinion. But that guy was thrilling to watch, and I bet, to play for. He seemed to me to be tall - at least, he has long, thin legs (and wore a beautifully tailored suit, very fashionable) and a huge head of hair - he looked great. His crisp white French cuffs were flying all over the place, his hands were big and lovely, and his body language was perfectly understandable and exciting. He didn't overdo it either, but he seemed very involved in the music.
Ah! The music! They performed four pieces: Huapango, by Jose Pablo Moncayo; Overture to La gazza ladra (The Thieving Magpie) and Overture to Semiranide, by Gioachino Rossini; and Symphony No. 7 in A major, by Beethoven.
I'd never heard Huapango, and according to the program notes (I think it would be a copyright violation to include them here but you can visit the LA Phil's website and I think they're there), the piece incorporates three traditional songs from Veracruz. It was very cool, and had lots of percussion and horns. We really enjoyed it.
The two Rossini pieces were equally exciting. I don't know what it is, exactly, about Rossini that I like. Maybe it's that the music is sometimes sort of cornball - so dramatic and visual; I always get a picture in my head. Maybe it's that it reminds me of Bugs Bunny and like everyone I'm just a ten year old at heart. Maybe it seems like Rossini had a sense of humor. I love the double-time fast parts and huge crescendos and the way everything fits together like a big moving piece of machinery. I don't know. But I really liked both pieces. The first one starts with these snare drum rolls, and what drummer and wife of a drummer wouldn't love that?
Watching the orchestra in that setting was really special, too. I've been to Disney Hall and the Hollywood Bowl and the Pantages and Dorothy Chandler, and I've had some great seats (and bad seats), but I've never felt like I could see the orchestra quite so well as at the Cerritos Center. They were right there, and seriously, last night they were rocking out. They really looked like they were having fun, and it was fun for me to catch some of their actions close up (I like the way the concertmaster almost stands up out of his seat sometimes while he's playing, or the way the bearded gentleman sitting behind him in the violin section taps both feet occasionally, or the way the guy sitting behind him would look at his stand partner every once in awhile). The cellos were pretty much squeezed into the first row, and I had serious fears that they were going to hit one another with their bows, but seeing all of them so close like that, with the varying colors of their instruments (all the different shades of honey) was great. And of course hearing them - there were some amazing little solos here and there - Sarah Jackson's piccolo is so beautiful and mellow. The horns were dead on and gorgeous. The percussion section was impressive.
I also like how they would light the concertmaster every time he stood up to tune the orchestra. That little detail reminded me of some of our light cues at City Garage, and I thought it was perfect.
Maybe it's because the floor seats at the Cerritos Center are on a slight incline, so I could see over the heads of the people in front of me, or maybe because we were very close, or it's a small place, or I don't know. I'm not sure how old the Cerritos Center is, but the decor is looking a little aged (Patrick compared it to a Hampton Inn), and I don't know anything about the acoustic properties, but with the lights out and the concert in progress, it was a very nice place to hear a big orchestra like that.
But then came the Beethoven, and it was the only thing I did not enjoy.
Most likely my lack of appreciation for Beethoven is a personal failing of my own and not Beethoven's, or maybe it was just this piece (the Allegretto was great, but everything else? B is for Boring) but I suddenly found myself getting very tired. The music just didn't capture me. I stopped paying attention, and started getting annoyed at little things unrelated to the performance (someone's hearing aid was beeping: I'm sure it had happened before but it didn't bother me until the third movement of the Beethoven; someone near us was tapping their foot so vigorously that the entire row could feel it). But this could just be me (though Patrick felt the concert lost something at the end too), because the crowd around us as we left were all raving and one lady in particular was in LOVE with the Beethoven, so what do I know?
Anyway, it was a fun night, fun to get out on a Wednesday and hear some amazing musicians - FOR FREE. If I hear about any more free concerts I will let you know.
On Saturday I'm taking my friend Sarah to Walt Disney Hall for another free concert, but this one (I just found out) isn't exactly a concert - I think there will be some discussion, too. Hopefully more playing. And Mr. Lopez will be conducting again, and I'm looking forward to that. Anyway, I have no idea if tickets are still available; at this point, if you're interested, you should contact them directly.
On Sunday there's another free concert at MacArthur park but the LA Phil website doesn't indicate how to get these tickets. I'd call if I were you, it's what I did yesterday to find out about the concert at the Cerritos Center. I spoke to Jackie, and she was extremely helpful, but I'm sure whoever you get will be helpful too.
General Information: (323) 850-2000
Wednesday, September 29, 2010
Upcoming flute stuff
Sir James Galway at Colburn on October 11th
The legendary "man with the golden flute" Sir James Galway will be hosting a day of master classes, coachings, Q&A sessions, and more in Colburn's Zipper Hall on Monday, October 11th. His wife, Lady Jeanne Galway, will also be hosting masterclasses for younger students (age 10-16). Please visit the Colburn School's website to learn more (including fees and registration information) about this amazing opportunity.
...
The Los Angeles Philharmonic has been having free concerts and events that don't appear to be all that well advertised ahead of time. This morning on KPCC I learned of a free concert tonight (yes, tonight) at the Cerritos Performing Arts Center, and sometime last month I received an email at work about a free concert this Saturday. I've already got my tickets for Saturday, and will be attempting to get in line at 6 p.m. tonight for stand-by tickets for tonight - it means leaving work early and fighting traffic, but they're playing Rossini, and I love Rossini! It's going to be cool to see the LA Phil for free, and though the Saturday concert is advertised as a concert for kids, I still think it's going to be a good time. And I'm taking my friend Sarah, who hasn't yet been to Disney Hall!
KPCC also mentioned a free concert at MacArthur Park but I haven't seen any information about that one, yet. If you have, let me know!
The legendary "man with the golden flute" Sir James Galway will be hosting a day of master classes, coachings, Q&A sessions, and more in Colburn's Zipper Hall on Monday, October 11th. His wife, Lady Jeanne Galway, will also be hosting masterclasses for younger students (age 10-16). Please visit the Colburn School's website to learn more (including fees and registration information) about this amazing opportunity.
...
The Los Angeles Philharmonic has been having free concerts and events that don't appear to be all that well advertised ahead of time. This morning on KPCC I learned of a free concert tonight (yes, tonight) at the Cerritos Performing Arts Center, and sometime last month I received an email at work about a free concert this Saturday. I've already got my tickets for Saturday, and will be attempting to get in line at 6 p.m. tonight for stand-by tickets for tonight - it means leaving work early and fighting traffic, but they're playing Rossini, and I love Rossini! It's going to be cool to see the LA Phil for free, and though the Saturday concert is advertised as a concert for kids, I still think it's going to be a good time. And I'm taking my friend Sarah, who hasn't yet been to Disney Hall!
KPCC also mentioned a free concert at MacArthur Park but I haven't seen any information about that one, yet. If you have, let me know!
Saturday, September 25, 2010
Convention interviews: now with links
I have to apologize for getting these interviews posted so late. The flute convention was last month, and I asked people from flute choir who attended to answer a few questions. I didn't think it would take me so long to get them posted.
I've added some links where I could find video or information from the people mentioned in the interviews. Enjoy!
I've added some links where I could find video or information from the people mentioned in the interviews. Enjoy!
Post-convention interview: Michael
Was this your first time attending the flute convention? If no, what keeps you interested in returning? If yes, will you go again? This was not my first time attending the flute convention. Flute conventions I have attended (and their attractions):
Were there any performances that stood out for you in particular? Who was the performer and what did they play? The flute choir showcase of the Kirameki Flute Orchestra stood out above all the others – flawless and easy to listen to, including featured soloists’ cadenzas/highlights. (The Kirameki Flute Orchestra consists of professional flutists from major orchestras and ensembles throughout Japan. I recognized one of their members, a contrabass flute player, as having performed in a previous convention, with Concert Lumiere.
What was your favorite part of the entire convention? My favorite part of the convention is being able to meet other flutists, and occasionally offering tips/insight on selecting/purchasing a harmony (alto or bass) flute.
What special thing, if anything, did you buy in the exhibit hall? No purchases in the exhibit hall. I did pick up a free poster of the Kirameki Flute Orchestra. Tried mostly bass and alto flutes. (“I went to the convention and all I got was this T-shirt” J)
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? No major purchase this year.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? For some reason, I found myself volunteering/assisting/chatting with Kelly Via often (moving chairs and music stands before/after flute choir performances, handing out music at reading sessions, etc). Kelly is the NFA Flute Choirs Coordinator. I enjoy his flute choir arrangements; the Culver City Flute Choir has performed many of them.
Not to be over-saturated with the flute in four days, I have also taken diversions to Major League Baseball games, usually on Friday night, whenever they were easily accessible (Arizona Diamondbacks, Atlanta Braves [cap night], San Diego Padres [hat night], and Pittsburgh Pirates [bobble-head night]).
- Kansas City 1994
- Orlando 1995 (Disney World!)
- Phoenix 1998 (inaugural season of the Arizona Diamondbacks, at BankOne Ballpark aka the BOB
- Atlanta 1999 (Coca-Cola museum)
- Dallas 2001
- Washington DC 2002 (after 9/11/2001, Library of Congress, Smithsonian museums, Arlington Cemetery, Kennedy Center, numerous monuments and memorials, seat of national government, etc.)
- Nashville 2004 (Grand Ole Opry)
- San Diego 2005
- Pittsburgh 2006 (riverfront in Old Steel Town)
- Albuquerque 2007 (spicy chilies)
- Anaheim 2010
Were there any performances that stood out for you in particular? Who was the performer and what did they play? The flute choir showcase of the Kirameki Flute Orchestra stood out above all the others – flawless and easy to listen to, including featured soloists’ cadenzas/highlights. (The Kirameki Flute Orchestra consists of professional flutists from major orchestras and ensembles throughout Japan. I recognized one of their members, a contrabass flute player, as having performed in a previous convention, with Concert Lumiere.
What was your favorite part of the entire convention? My favorite part of the convention is being able to meet other flutists, and occasionally offering tips/insight on selecting/purchasing a harmony (alto or bass) flute.
What special thing, if anything, did you buy in the exhibit hall? No purchases in the exhibit hall. I did pick up a free poster of the Kirameki Flute Orchestra. Tried mostly bass and alto flutes. (“I went to the convention and all I got was this T-shirt” J)
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? No major purchase this year.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? For some reason, I found myself volunteering/assisting/chatting with Kelly Via often (moving chairs and music stands before/after flute choir performances, handing out music at reading sessions, etc). Kelly is the NFA Flute Choirs Coordinator. I enjoy his flute choir arrangements; the Culver City Flute Choir has performed many of them.
Not to be over-saturated with the flute in four days, I have also taken diversions to Major League Baseball games, usually on Friday night, whenever they were easily accessible (Arizona Diamondbacks, Atlanta Braves [cap night], San Diego Padres [hat night], and Pittsburgh Pirates [bobble-head night]).
Monday, September 20, 2010
Post-convention interview: Patrick
Was this your first time attending the flute convention? If no, what keeps you interested in returning? If yes, will you go again? Yes, it was my first time attending the flute convention and I plan on going again in the near future.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? All of the performances were amazing so it's hard to say which ones stood out because they were all great; however, I really like Project Trio. And I'm sorry to say I don't remember what they played.
What was your favorite part of the entire convention? My favorite part of the entire convention was the first night's 8:00 p.m. concert just because the energy in the room was amazing.
What special thing, if anything, did you buy in the exhibit hall? Hahahahaha. I bought about $200 dollars of music at the convention. : )
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? No major purchases for me, just a ton of music.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? The flute convention was so unbelievably amazing seeing all of the different flutists and the different styles of music.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? All of the performances were amazing so it's hard to say which ones stood out because they were all great; however, I really like Project Trio. And I'm sorry to say I don't remember what they played.
What was your favorite part of the entire convention? My favorite part of the entire convention was the first night's 8:00 p.m. concert just because the energy in the room was amazing.
What special thing, if anything, did you buy in the exhibit hall? Hahahahaha. I bought about $200 dollars of music at the convention. : )
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? No major purchases for me, just a ton of music.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? The flute convention was so unbelievably amazing seeing all of the different flutists and the different styles of music.
Sunday, September 19, 2010
Post-convention interview: Julie
Was this your first time attending the flute convention? If no, what keeps you interested in returning? If yes, will you go again? This was not my first convention but my first since 2004. I have never been able to make it to all four days of the conventions but I've attended Columbus (2000), Washington DC (2002) and Nashville (2004). I'm hoping to possibly attend in Charlotte next year (Trevor Wye and Carol Wincenc are the lifetime achievement honorees) and I'm planning on going to Las Vegas in 2012.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? All the performances were inspiring and wonderful. Even the weird modern stuff where the performer gets weird tonal sounds out of the flute. While that music doesn't particularly appeal to me, I'm impressed and respect the technique involved to make those sounds.
As for performances, I went to a Headliner Recital on Friday starring Nobutaka Shimizu. He is, without question, the best flutist I've ever heard. Beautiful tone, technically amazing, it was AMAZING. When he finished, the entire audience jumped to their feet. It was unreal. He was the biggest highlight for me.
The other favorite performance was the Friday night Gala Concert featuring the Lifetime Achievement Recipients Leone Buyse and Fenwick Smith. They both performed solo and a duet and it was fabulous to hear them play. The second half of the concert featured players who studied under them. Wow, they were great. The most impressive was the final performance by Marianne Gedigian. She played "Fantasy on Der Freischutz" by Raffanel. It was technically very difficult and beautiful (as opposed to some of the modern stuff that was performed) and she blew everyone else out of the water.
I attended a masterclass on Sunday lead by Michael Faust. He performed at the Saturday Concert and he performed modern stuff. That was just OK. The masterclass was outstanding. There were three students performing for him and his notes to these three outstanding flutists was inspiring. He knew the music so well, he had such a lovely personality and sense of humor, he was able to give notes that were helpful and not an ounce of "talking down" to these students. I stayed the entire 90 minutes and enjoyed it thoroughly.
I also attended a lobby concert on Sunday featuring the Davis Youth Flute Choir. They were mostly high school students and they were pretty good. What I wanted to see performed was the Brandenburg No. 4 for full flute choir, since this is my all time favorite piece. They did have some pitch issues (so do we at time so I wasn't throwing any stones) but I LOVED the piece. It's a challenging arrangement that had good, meaty parts for everyone. I'd love for us to play this because we could totally do it.
What was your favorite part of the entire convention? The concert with Nobutaka Shimizu what the highlight.
What special thing, if anything, did you buy in the exhibit hall? I didn't make any big purchases. I did buy some music of some of the pieces I had heard performed at the convention.
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? I will probably take the plunge and buy a gold headjoint by the end of the year. In 2004, I tried a 10k Sankyo gold flute and it felt and sounded great for me. 6 years later, that's still the best sounding flute for me. So I played the rose gold flute which sounded great and then I tried the 14k gold flute which also sounded great, but too expensive. But I tried the 14k gold headjoint with my flute body and it sounded fabulous. So I'm working on saving up a little bit more and then hopefully I'll make that big purchase.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? I'm glad I went this year after so many years off. Like everything else in these economic times, I thought it was "smaller" than what I remembered in 2004. I looked at my convention book from that year and there were definitely more activities going on. I remember really having a tough time choosing where to go because there were so many interesting events going on at the same time. This year, the event choices were all good, but it was easy to pick the one I wanted to go to. I didn't really play my flute this year other than the closing ceremonies. I was inspired by all the great players and if I'm able to buy the headjoint in the next few months, I'll be much happier playing my flute.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? All the performances were inspiring and wonderful. Even the weird modern stuff where the performer gets weird tonal sounds out of the flute. While that music doesn't particularly appeal to me, I'm impressed and respect the technique involved to make those sounds.
As for performances, I went to a Headliner Recital on Friday starring Nobutaka Shimizu. He is, without question, the best flutist I've ever heard. Beautiful tone, technically amazing, it was AMAZING. When he finished, the entire audience jumped to their feet. It was unreal. He was the biggest highlight for me.
The other favorite performance was the Friday night Gala Concert featuring the Lifetime Achievement Recipients Leone Buyse and Fenwick Smith. They both performed solo and a duet and it was fabulous to hear them play. The second half of the concert featured players who studied under them. Wow, they were great. The most impressive was the final performance by Marianne Gedigian. She played "Fantasy on Der Freischutz" by Raffanel. It was technically very difficult and beautiful (as opposed to some of the modern stuff that was performed) and she blew everyone else out of the water.
I attended a masterclass on Sunday lead by Michael Faust. He performed at the Saturday Concert and he performed modern stuff. That was just OK. The masterclass was outstanding. There were three students performing for him and his notes to these three outstanding flutists was inspiring. He knew the music so well, he had such a lovely personality and sense of humor, he was able to give notes that were helpful and not an ounce of "talking down" to these students. I stayed the entire 90 minutes and enjoyed it thoroughly.
I also attended a lobby concert on Sunday featuring the Davis Youth Flute Choir. They were mostly high school students and they were pretty good. What I wanted to see performed was the Brandenburg No. 4 for full flute choir, since this is my all time favorite piece. They did have some pitch issues (so do we at time so I wasn't throwing any stones) but I LOVED the piece. It's a challenging arrangement that had good, meaty parts for everyone. I'd love for us to play this because we could totally do it.
What was your favorite part of the entire convention? The concert with Nobutaka Shimizu what the highlight.
What special thing, if anything, did you buy in the exhibit hall? I didn't make any big purchases. I did buy some music of some of the pieces I had heard performed at the convention.
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? I will probably take the plunge and buy a gold headjoint by the end of the year. In 2004, I tried a 10k Sankyo gold flute and it felt and sounded great for me. 6 years later, that's still the best sounding flute for me. So I played the rose gold flute which sounded great and then I tried the 14k gold flute which also sounded great, but too expensive. But I tried the 14k gold headjoint with my flute body and it sounded fabulous. So I'm working on saving up a little bit more and then hopefully I'll make that big purchase.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? I'm glad I went this year after so many years off. Like everything else in these economic times, I thought it was "smaller" than what I remembered in 2004. I looked at my convention book from that year and there were definitely more activities going on. I remember really having a tough time choosing where to go because there were so many interesting events going on at the same time. This year, the event choices were all good, but it was easy to pick the one I wanted to go to. I didn't really play my flute this year other than the closing ceremonies. I was inspired by all the great players and if I'm able to buy the headjoint in the next few months, I'll be much happier playing my flute.
Post-convention interview: Gary
Was this your first time attending the flute convention? If no, what keeps you interested in returning? If yes, will you go again? First time.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? Greg Pattillo. I didn't care for beat boxing until I heard him. He is amazing.
What was your favorite part of the entire convention? I really liked the master classes. It's amazing to see truly excellent musicians improve their performances so radically with just a few minutes direction from an expert.
What special thing, if anything, did you buy in the exhibit hall? Sheet music. Judy talked me out of a new flute, said I should learn to play the one I have first :-). I also got my wife a scarf with piano keys on it.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? It was a great time, lots of music of all kinds, fun to shop, and fun to be around other flutists in our group. Wonderful performances.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? Greg Pattillo. I didn't care for beat boxing until I heard him. He is amazing.
What was your favorite part of the entire convention? I really liked the master classes. It's amazing to see truly excellent musicians improve their performances so radically with just a few minutes direction from an expert.
What special thing, if anything, did you buy in the exhibit hall? Sheet music. Judy talked me out of a new flute, said I should learn to play the one I have first :-). I also got my wife a scarf with piano keys on it.
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? It was a great time, lots of music of all kinds, fun to shop, and fun to be around other flutists in our group. Wonderful performances.
Post-convention interview: Shannon
Was this your first time attending the flute convention? If no, what keeps you interested in returning? If yes, will you go again? I've gone every year since the Ohio Convention! I go every year I love being surrounded by thousands of flutists! It also gives me a chance to catch up with some of fellow flutist friends. I will definitely go again.
Were there any performances that stood out for you in particular? Who was the performer and what did they play? I really enjoyed the concerto night! I also enjoyed helping Megan pick out a new flute.
What was your favorite part of the entire convention? My favorite part of the convention were the first 2 days. Don't remember much of second half as I was on vicodin.
What special thing, if anything, did you buy in the exhibit hall? I bought a new flute case cover, new flute bag, exchanged my flute/alto stand, and bought a very expensive book of chants for solo flute!
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? My goal when I bought my current flute 8 years ago was to save up money to buy a all silver flute within 10 years. Well I have 2 more years to meet that goal...
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? Looking forward to next year's convention!
Shannon's Photos:
Were there any performances that stood out for you in particular? Who was the performer and what did they play? I really enjoyed the concerto night! I also enjoyed helping Megan pick out a new flute.
What was your favorite part of the entire convention? My favorite part of the convention were the first 2 days. Don't remember much of second half as I was on vicodin.
What special thing, if anything, did you buy in the exhibit hall? I bought a new flute case cover, new flute bag, exchanged my flute/alto stand, and bought a very expensive book of chants for solo flute!
If you made a major purchase (flute, headjoint, etc.), what did you buy and what did you replace? My goal when I bought my current flute 8 years ago was to save up money to buy a all silver flute within 10 years. Well I have 2 more years to meet that goal...
Is there anything else you'd like to talk about (concerning the convention, flute playing, the flute choir, etc.)? Looking forward to next year's convention!
Shannon's Photos:
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| Shannon and a contrabass flute |
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| Shannon and a bass flute |
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| Megan and Patrick working on a duet |
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| Megan and her mom in the exhibit hall |
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| Judy tries an alto... or is it a bass? It's awfully foreshortened in this photo. |
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| Is that Julie playing her dream flute? |
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| Looks like Judy is getting curious about wooden flutes! |
Thursday, August 26, 2010
An amazing flutist
On Sunday, August 15, Patrick and I were driving home from a family reunion that took place in Aptos, CA (Aptos is near Santa Cruz). It was a long drive, and there was a ton of traffic, and for much of the way, Patrick (who had suggested taking the 101 instead of the speedier 5, as we had for the drive up north!) was asleep. It was fine with me - I turned up the Radiohead and watched the road.
But one can only listen to so much Radiohead, and so when we got to Santa Barbara, where traffic was at its worst (I heard later that Hailey Duff, the actress [or actress's sister?] was married that day in Santa Barbara, but I don't know if we can blame her for the traffic), we pulled off the freeway to find a bathroom and to just feel our legs again. While I was waiting for Patrick (he went inside the 7-11 or wherever we were to buy me a bottle of water), I was flipping around on the radio.
I stopped when I found a performance of "Concertino," by Cecile Chaminade.
This piece was (is, maybe, I'll have to ask) a rite of passage for my flute teacher's students (most of you know that my flute teacher was, and sometimes is, Patty Sikorski, the leader of the Culver City Flute Choir) when I was a teenager. We all played it when we were around the age of high school seniors. Ready or not, here you go! I also got to play it (once) with my high school band (I guess we had a band arrangement? Oh, that was a long time ago), and boy, what I would give for the opportunity to do that again! SO much fun. I love to hear it played, too - it's a fun piece all around. And I remember my wonky counting on the triplets that I had to fix. For some reason my rhythm was wacky in some really strange places.
Anyway, since then (I won't tell you how long it's been since I was a high school senior... but it was a while ago) I've pretty much kept the music in a permanent place on my music stand. I get it out and play it once in awhile, and fall in love with it all over again. I love the power I feel when I play it - it's a beautiful melody, and definitely the opposite of wimpy - I always feel like a French soldier going to war when I play it. I like to think that in the __ years since I "learned" it that I've acquired more skills and better technique than I had as a high school senior, but who knows? When you play alone in the living room with just the cats, neighbors and your husband for an audience (and chances are the cats and Patrick aren't listening) there's not a whole lot of feedback.
After Patrick returned from the convenience store, we sat there in the parking lot to listen - I wanted to hear who the player was. I thought the performance was very exciting, though the tone was slightly, just a teeny tiny bit rough (I just love sparkling, knifelike flute playing), but like I said, it was a very exciting performance, full of lots of life and speed and waaaay faster and better than I could play it. I don't even really feel right about criticising the playing - it was truly a great performance.
So imagine my surprise when the announcer (who turned out to be Christopher O'Reilly; we were listening to the "From the Top" radio show) said that the performer was Emma Resmini, a flutist who is - wait for it - 9 years old. 9 years old! At 9 years old I was barely starting, and really didn't know what this "flute" thing in my hands was. She's incredible, and her interview was fun and interesting, and man, I'm impressed.
You can read her bio here. She's a Sonare artist. Sonare is part of Powell, and I have recently become a long-distance love affair with Powell flutes (the distance between us is the cost of the flutes!).
There are YouTube videos available, and I'll link to some of them later or you can search for her yourself. I see that one of them is the first movement of the Hindemith flute sonata (another favorite!). I know what I'll be doing later.
Click on the title of this post and you should be taken to the "From the Top" website and the show we heard in Santa Barbara. Enjoy! And brava, Emma!
But one can only listen to so much Radiohead, and so when we got to Santa Barbara, where traffic was at its worst (I heard later that Hailey Duff, the actress [or actress's sister?] was married that day in Santa Barbara, but I don't know if we can blame her for the traffic), we pulled off the freeway to find a bathroom and to just feel our legs again. While I was waiting for Patrick (he went inside the 7-11 or wherever we were to buy me a bottle of water), I was flipping around on the radio.
I stopped when I found a performance of "Concertino," by Cecile Chaminade.
This piece was (is, maybe, I'll have to ask) a rite of passage for my flute teacher's students (most of you know that my flute teacher was, and sometimes is, Patty Sikorski, the leader of the Culver City Flute Choir) when I was a teenager. We all played it when we were around the age of high school seniors. Ready or not, here you go! I also got to play it (once) with my high school band (I guess we had a band arrangement? Oh, that was a long time ago), and boy, what I would give for the opportunity to do that again! SO much fun. I love to hear it played, too - it's a fun piece all around. And I remember my wonky counting on the triplets that I had to fix. For some reason my rhythm was wacky in some really strange places.
Anyway, since then (I won't tell you how long it's been since I was a high school senior... but it was a while ago) I've pretty much kept the music in a permanent place on my music stand. I get it out and play it once in awhile, and fall in love with it all over again. I love the power I feel when I play it - it's a beautiful melody, and definitely the opposite of wimpy - I always feel like a French soldier going to war when I play it. I like to think that in the __ years since I "learned" it that I've acquired more skills and better technique than I had as a high school senior, but who knows? When you play alone in the living room with just the cats, neighbors and your husband for an audience (and chances are the cats and Patrick aren't listening) there's not a whole lot of feedback.
After Patrick returned from the convenience store, we sat there in the parking lot to listen - I wanted to hear who the player was. I thought the performance was very exciting, though the tone was slightly, just a teeny tiny bit rough (I just love sparkling, knifelike flute playing), but like I said, it was a very exciting performance, full of lots of life and speed and waaaay faster and better than I could play it. I don't even really feel right about criticising the playing - it was truly a great performance.
So imagine my surprise when the announcer (who turned out to be Christopher O'Reilly; we were listening to the "From the Top" radio show) said that the performer was Emma Resmini, a flutist who is - wait for it - 9 years old. 9 years old! At 9 years old I was barely starting, and really didn't know what this "flute" thing in my hands was. She's incredible, and her interview was fun and interesting, and man, I'm impressed.
You can read her bio here. She's a Sonare artist. Sonare is part of Powell, and I have recently become a long-distance love affair with Powell flutes (the distance between us is the cost of the flutes!).
There are YouTube videos available, and I'll link to some of them later or you can search for her yourself. I see that one of them is the first movement of the Hindemith flute sonata (another favorite!). I know what I'll be doing later.
Click on the title of this post and you should be taken to the "From the Top" website and the show we heard in Santa Barbara. Enjoy! And brava, Emma!
Tuesday, August 10, 2010
A walking flutist needs your help!
I may have mentioned before that the reason I play the piccolo now is because back in high school I had a friend named Deb who encouraged and helped me with it, and I'm so glad she was there, because she made playing the flute and piccolo fun and exciting for me, especially when we hit the high notes in tune.
We were marching Centaurs together at Culver City Senior High School, and somewhere there's a photo of us both in our goofy band uniforms, but instead I'm just going to share one of Deb (I think she's in the 8th grade here), because today she's the star of this show:
That's Deb, right in the middle, holding a flute. Isn't she cute! This was before she unleashed her piccolo prowess on us (and way before she traded in her flutes for a saxophone, which we won't be discussing today!).
(Or, Deb, is that a metal picc and I'm just blind?)
So what will we be discussing today?
Deb has signed up for the Susan G. Komen 3-Day Walk for a Cure. She'll be walking November 19-21 in San Diego, and yes, you read that right: 3 days of walking, 60 miles total.
She's doing it to honor her friends and family who have struggled with cancer, and she's doing it because she has a huge heart and because she cares.
She's been hard at work training and fundraising and raising her young family, and I can't think of a much better cause than this. You all know how personally cancer has affected my life, and I know I'm not the only one.
If you would like to support Deb, a former flutist (and believe me, I'd love to remove that "former" from this description! Deb, you're amazing!) in her walk, you can visit her web page and make a donation.
Thanks for reading this.
We were marching Centaurs together at Culver City Senior High School, and somewhere there's a photo of us both in our goofy band uniforms, but instead I'm just going to share one of Deb (I think she's in the 8th grade here), because today she's the star of this show:
That's Deb, right in the middle, holding a flute. Isn't she cute! This was before she unleashed her piccolo prowess on us (and way before she traded in her flutes for a saxophone, which we won't be discussing today!).(Or, Deb, is that a metal picc and I'm just blind?)
So what will we be discussing today?
Deb has signed up for the Susan G. Komen 3-Day Walk for a Cure. She'll be walking November 19-21 in San Diego, and yes, you read that right: 3 days of walking, 60 miles total.
She's doing it to honor her friends and family who have struggled with cancer, and she's doing it because she has a huge heart and because she cares.
She's been hard at work training and fundraising and raising her young family, and I can't think of a much better cause than this. You all know how personally cancer has affected my life, and I know I'm not the only one.
If you would like to support Deb, a former flutist (and believe me, I'd love to remove that "former" from this description! Deb, you're amazing!) in her walk, you can visit her web page and make a donation.
Thanks for reading this.
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